Revisiting Bubblegum Pop from South Africa with Umoja 

  Contemporary South Africa music tends to be driven by electronic music, especially post apartheid music like Kwaito. Musicians in the 80s, attracted to the warbly yet syrupy sounds from cryptic synthesizers, organs and guitars helped lay the foundations for the deep house and Kwaito craze that dominates current South african music.  Bubblegum pop and … Continue reading Revisiting Bubblegum Pop from South Africa with Umoja 

Super 16 [Take 3] – African Short Films you should see

  Super 16 keeps looking for filmmakers finding new and creative ways of telling their nuanced, authentic stories centered on people of colour. This edition is particularly polarized towards experimentation both in the areas of film and music. Our selection features shorts from the continent and the diaspora, worthy of your time. You can also … Continue reading Super 16 [Take 3] – African Short Films you should see

Why is FESPACO losing it’s value? – An interview with Claire Diao

When it comes to African film, there is one festival on the circuit you don't want to miss. Every two years, film enthusiasts and filmmakers from all over the continent troop to Ouagadougou for the Panafrican Film and Television Festival of Ouagadougou (FESPACO). The festival, which was inaugurated in 1969 by the Burkina Faso Cultural ministry sought to … Continue reading Why is FESPACO losing it’s value? – An interview with Claire Diao

Album Review: Daymé Arocena – Cubafornia

In 2015, Daymé Arocena dropped her debut solo album, Nueva Era to critical acclaim in the Afro-Cuban and Jazz circles across the world. She proclaimed and ushered her audience into a new era of Afro-Cuban music with serenading yet powerful melodies about mystical spirits and losing love on singles such as her sleeper hit, Come … Continue reading Album Review: Daymé Arocena – Cubafornia